The slowness of my work process is both a rebellion against the speed requirements of my environment as well as a meditative technique. I explore movements, forms and geometric peculiarities of my environment. I am particularly fascinated by waves. As an information carrier of their original impulses, something completely new arises where they meet. Their interferences are therefore an expression of communication for me. My working material is stone, which I like to work by hand. Its expression is original and the meditative character of my way of working corresponds to this originality. I understand the choice of this material not only as a link to one of the oldest cultural techniques of mankind, but also as essential for our existence, because our planet consists of it, the subsoil on which we live. Its fragility becomes visible in my work.
Education
2004-2005 Advanced Studies Program "Design, Art and Innovation", HGK, Basel,
Switzerland
1999 BFA in sculpture, California College of the Arts (CCA), Oakland, CA,
USA
1993-1995 Apprentice to
stone sculptor Petros Delatolas, Tinos Greece
Exhibitions
2022 Co³, Köln, Deutschland
2019 Galerie Smend, Köln, Deutschland
2018 Galerie Vidourle Prix, Saufe, Frankreich
2013 Galerie Vidourle Prix, Saufe, Frankreich
2007 "Übungen", Ehemalige Synagoge, Grevenbroich-
Hülchrath, Deutschland
2007 Kelterhaus, Bonn Bad Godesberg, Deutschland
2006 Schloß Eulenbroich, Rösrath, Deutschland
2005 Kulturgut Winkhausen, Salzkotten, Deutschland
2005 Hellhof Gallery, Kronberg im Taunus,
Deutschland
1999 Collaboration, Anthony Marcellini & Nico
Wilbrandt, South, Gallery, CCA, Oakland, USA
1999 Selections, SF Open Studio Gallery, San
Francisco, USA
1998 Day of the Dead, Mission Cultural Center, San
Francisco, USA
1998 Bizzare, Revelation Gallery, San Francisco, USA
